Best Pick

Rokinon DS16M-C 16mm T2.2 APS-C

58.1 Video/Cinema Score
16mmT2.2Canon EF-S
Why we recommend this

Offering a T2.2 constant aperture and a 13-element optical design with 2 aspherical and 1 ED element, the 16mm wide-angle prime’s unified Cine DS gear system requires no follow focus re-adjustment when swapping lenses. Ultra Multi-Coating reduces flare, while the included petal hood and a 7.9-inch minimum focus distance enable dramatic close-up wide shots. This lens suits APS-C Canon filmmakers who need an affordable, color-matched manual cine lens with close-focusing capability and consistent gearing for video rigs.

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Great Alternatives

These options also score highly and may better suit your specific needs

Canon EF 50mm f/1.8 STM

57.5 Video/Cinema Score
50mmf/1.8Canon EF
Why we recommend this ▼

The f/1.8 maximum aperture and optimized lens coatings deliver strong subject separation and a 60.5 portrait score, making it a classic full-frame portrait lens. Its STM stepping motor supports near-silent Movie Servo AF with manual focus override, paired with a durable metal lens mount. This lens is best for portrait photographers and video creators on Canon EF systems who prioritize shallow depth of field over travel portability.

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IRIX Dragonfly 45mm f/1.4

33.2 Video/Cinema Score
45mmf/1.4Canon EFWeather Sealed
Why we recommend this ▼

A fast f/1.4 aperture combined with one aspherical and four HR elements delivers sharp, low-light imagery with controlled aberrations on full-frame Nikon F bodies. Its Dragonfly weather-sealed construction and focus lock mechanism provide a robust, tactile shooting experience in harsh conditions. This lens is best for portrait photographers who prioritize deliberate manual focus and shallow depth of field over autofocus speed.

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