Canon EF 10-18mm f/1.8
The 50mm f/1.8 prime delivers sharp portraits with strong background blur, while the stabilized 10-18mm zoom captures shake-free wide-angle landscapes, both featuring fast, quiet STM autofocus ideal for video. This compact, lightweight 160g kit offers an affordable entry into prime lens quality and versatile ultra-wide perspectives without the bulk. It’s best for travel photographers and APS-C camera users who want a two-lens setup for portraits, landscapes, and smooth video recording on the go.
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Snapshot
The 30-Second Version
The stabilization is the star here, ranking in the 93rd percentile, and the STM autofocus is smooth and quiet. You get two useful lenses for $419 USD, which is solid value for beginners. Just don't expect pro-level sharpness or beautiful bokeh, and remember the 10-18mm won't work on full-frame bodies.
Pros & Cons
Pros
- Stabilization ranks in the 93rd percentile, excellent for handheld shooting 97th
- STM autofocus is smooth and quiet, 85th percentile performance 90th
- Two useful focal lengths for $419 USD, great starter value 88th
- 50mm f/1.8 handles low light and background blur well 75th
- Social proof is strong, 91st percentile with a 4.7/5 rating from 118 reviews
Cons
- Optical quality ranks in the 39th percentile, edges get soft
- Bokeh quality is weak, 14th percentile
- EF-S 10-18mm won't fit full-frame Canon bodies
- Aperture performance ranks in the 22nd percentile
- Build quality is average, 49th percentile, no weather sealing
What owners think
The Word on the Street
How owner sentiment changed over time
ExclusiveBased on when customers actually wrote their reviews - so you can see whether early praise held up.
- Q2 2021100/100
Buyers praised the lens kit's quality and image results, with special mention of Adorama's excellent shipping and packaging.
- Lens quality and image results are very good.
- Adorama's shipping is timely and packaging is excellent.
- Kit includes useful 50mm prime lens for experimentation.
- First-time buyers plan to order from Adorama again.
- Q1 202167/100
Buyers praised the bundle's value and quality, but one warned that the EF-S lens does not fit full-frame cameras.
- Great bundle value with useful wide-angle and 50mm lenses plus cases.
- EF-S lens mount incompatible with full-frame cameras, causing fit issues.
- Lens set helped secure repeat business for a photographer.
- Hard and soft cases fit lenses perfectly.
- Q1 202067/100
Buyers praised photo quality and value, but one warned that the kit includes mismatched lens mounts, causing compatibility issues.
- Good photo quality and value for the price.
- Kit includes two different mounts; only half works with EF mount cameras.
- Q4 201997/100
Buyers praised the lens kit for its sharp image quality, versatile range, and great value, especially for beginners and real estate or portrait photography.
- Excellent image quality and sharpness from both lenses, especially the 10-18mm wide angle.
- Great value for the price, with useful accessories included.
- Versatile for various photography types, including real estate, portraits, and astrophotography.
- Suitable for beginners and hobbyists, easy to use and delivers impressive results.
- Q3 201993/100
Buyers praised the lens kit for travel, landscape, and portrait photography, noting excellent image quality and value despite non-professional build.
- Great for travel and landscape photography with wide angle.
- Excellent image quality for the cost.
- 50mm lens produces amazing portraits.
- Build quality is not professional grade but acceptable.
- Q1 201975/100
Buyers praised image quality and value, but several noted one lens is incompatible with full-frame cameras, causing frustration.
- Excellent image quality, especially wide-angle and 50mm portrait shots.
- EF-S lens incompatible with full-frame cameras like 5D Mark IV.
- Great value and lightweight design for travel and everyday use.
- Customer service helpful with returns for incompatible lens issues.
- Q4 2018100/100
Buyers praised the lenses as best value, with good picture quality and smooth purchase process.
- Lenses produce good pictures and are worth the money.
- Purchase process was smooth and delivery was quick.
- Build quality of EF 10-18 wide angle lens is not too good but not too cheap.
- Highly recommended by buyers.
- Q3 201897/100
Buyers praised the travel kit's versatility, sharp 50mm lens, and value. Adorama's service was also highlighted as excellent.
- Kit is versatile for travel and diverse shots.
- 50mm lens is sharp with great bokeh for portraits.
- Excellent value for the price of the lens combo.
- Adorama's service and shipping were seamless and professional.
- Q2 2018100/100
Buyers praised the lens kit's value, quality, and completeness, with special mention of the 50mm and wide-angle lenses. Some noted missing lens hoods and a preference for replacing the included UV filter.
- Excellent value and complete kit for Canon DSLR users.
- 50mm lens excels in low light and portrait photography.
- Wide-angle lens great for landscapes and group shots.
- Lens hoods not included; UV filter quality criticized by some.
- Q1 201878/100
Buyers praised the lens kit's value and image quality, but one reported unusual noise from the 50mm lens, causing embarrassment in quiet settings.
- Great value and price for the lens kit, recommended by users and a teacher.
- Excellent image quality, especially sharpness and low-light performance.
- 50mm lens makes weird, annoying noises audible in quiet places.
- Noise issue may be camera-related; lens otherwise takes good images.
- Q4 201780/100
Buyers are satisfied with the lens kit's value and performance, noting quick focus, good bokeh, and useful accessories, though some find lens bags oversized.
- Lenses perform well with quick, quiet focus and good bokeh for the price.
- Lens bags are nice but oversized for their intended lenses, though they fit other lenses.
- Included UV filters and cleaning kit are appreciated additions.
- Kit offers good value, especially for landscape and architecture photography.
- Q3 201792/100
Buyers praised the lens kit's value and image quality, especially the 50mm for portraits and the 10-18mm for landscapes. Some noted distortion on the wide-angle and software installation issues.
- Excellent value for money, especially for beginners or hobbyists.
- 50mm lens is sharp, great for portraits and low-light; 10-18mm is good for landscapes.
- 10-18mm has noticeable distortion and pincushion effect, but expected at this price.
- Software installation failed on Windows 10; replacement disk sent.
- Q2 201796/100
Buyers praised the kit's value, sharpness of the 50mm lens, and the wide-angle's landscape performance. A few noted the EF-S mount limitation and lack of lens hoods.
- Excellent value for money, especially buying as a kit versus separately.
- 50mm f/1.8 STM lens delivers outstanding sharpness, clarity, and low-light performance.
- 10-18mm wide-angle lens is great for landscapes and real estate photography.
- EF-S lens incompatible with EF mount; some wish lens hoods were included.
Based on 97 dated customer reviews, grouped by calendar quarter. Period analysis is in English.
The proof
Performance
The stabilization is the headline number. Four stops of correction puts this kit in the 93rd percentile, which is genuinely impressive for budget glass. Handheld shots at 10mm in dim light are totally doable. The STM autofocus is also a standout, ranking in the 85th percentile. It's smooth and quiet, which matters if you're shooting video on a Rebel or mirrorless body with an adapter.
The 50mm f/1.8 is the sharper of the two lenses, with 6 elements in 5 groups and one aspherical element. At f/1.8 it's not razor sharp in the corners, but stopped down to f/2.8 or f/4 it cleans up nicely. The 10-18mm is more of a utility player. It's sharp enough in the center, but the edges get soft, especially at 10mm. The 7-blade diaphragm on the 50mm helps with background blur, but bokeh quality ranks in the 14th percentile. That's a weak spot. The aperture itself ranks in the 22nd percentile, which makes sense since the 10-18mm tops out at f/4.5-5.6. You're not freezing action in low light with that zoom.
Specifications
Full Specifications
Optics
| Type | Wide-angle-zoom |
| Focal Length Min | 10 |
| Focal Length Max | 18 |
| Elements | 6 |
| Groups | 5 |
| Aspherical Elements | 1 |
| Coating | 1034 |
Aperture
| Max Aperture | f/1.8 |
| Min Aperture | f/22 |
| Constant | No |
| Diaphragm Blades | 7 |
Build
| Mount | Canon EF |
| Format | full-frame |
| Weather Sealed | No |
| Weight | 0.2 kg / 0.4 lbs |
| Filter Thread | 49 |
AF & Stabilization
| AF Type | STM |
| Stabilization | No |
| Stabilization Stops | 4 |
Focus
| Min Focus Distance | 350 |
| Max Magnification | 0.21x |
vs Competition
Against the Sigma Contemporary 18-50mm f/2.8 DC DN, this Canon kit gives you more range and a faster prime, but the Sigma has a constant f/2.8 aperture throughout its zoom range. The Sigma's aperture performance crushes the 10-18mm's f/4.5-5.6. The Tamron Di III VC 28-300mm f/4-7.1 offers way more reach, but it's slower and costs more. The Viltrox AF 9mm F2.8 XF is wider and faster than the 10-18mm, but it's a single prime, not a kit. The Nikon NIKKOR Z 17-28mm f/2.8 is sharper and faster, but it's also significantly more expensive and doesn't include a 50mm prime. For the price, the Canon kit's combination of stabilization and autofocus performance is hard to beat.
| Spec | Canon EF 10-18mm f/1.8 | Viltrox LAB AF 35mm f/1.2 LAB FE | Sony G Master FE 50-150mm f/2 GM | Sigma Art 17-40mm f/1.8 DC | Tamron Di III 70-180mm f/2.8 VC VXD G2 | Nikon NIKKOR Z 50mm f/1.2 S |
|---|---|---|---|---|---|---|
| Focal Length | 10-18mm | 35mm | 50-150mm | 17-40mm | 70-180mm | 50mm |
| Max Aperture | f/1.8 | f/1.2 | f/2 | f/1.8 | f/2.8 | f/1.2 |
| Mount | Canon EF | Sony E | Sony E | Fujifilm X | Sony E | Nikon Z |
| Format Coverage | full-frame | full-frame | full-frame | APS-C | full-frame | full-frame |
| Stabilization | false | false | false | false | true | false |
| Weather Sealed | false | true | true | true | true | true |
| Weight (g) | 160 | 910 | 1340 | 535 | 855 | 1090 |
| AF Type | STM | VCM | XD linear motors | HLA (High-response Linear Actuator) | VXD | Multi-Focus Stepping Motor AF System |
| Lens Type | wide-angle-zoom | prime | zoom | zoom | zoom | prime |
| Compare | Compare | Compare | Compare | Compare |
| Product | AF | Bokeh | Build | Macro | Reach | Video | Optical | Aperture | User Sentiment | Wide Angle | Portability | Versatility | Social Proof | Affordability | Stabilization |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Canon EF 10-18mm f/1.8 | 68.7 | 23 | 30.7 | 55.1 | 9.6 | 72.3 | 22 | 74.9 | 66.4 | 97.3 | 89.8 | 68 | 88 | 60.8 | 36.2 |
| Viltrox LAB AF 35mm f/1.2 LAB FE Compare | 95.4 | 69 | 90.5 | 45.3 | 29.5 | 72.3 | 92.7 | 96.1 | 82 | 53.2 | 20.6 | 33 | 88 | 33.4 | 36.2 |
| Sony G Master FE 50-150mm f/2 GM Compare | 95.4 | 95.9 | 98.8 | 52 | 80.3 | 88 | 95.6 | 64.2 | 66.4 | 39.9 | 10.8 | 82.3 | 92.6 | 7.4 | 36.2 |
| Sigma Art 17-40mm f/1.8 DC Compare | 95.4 | 53.1 | 95 | 54.3 | 53.1 | 88 | 97.3 | 74.9 | 98.7 | 68.6 | 47.1 | 75.4 | 92.6 | 33.6 | 36.2 |
| Tamron Di III 70-180mm f/2.8 VC VXD G2 Compare | 95.4 | 86.5 | 77.2 | 75.8 | 81.1 | 84.2 | 96.5 | 43.9 | 66.4 | 29.2 | 21.9 | 77.5 | 92.6 | 27.7 | 97.3 |
| Nikon NIKKOR Z 50mm f/1.2 S Compare | 68.7 | 80.6 | 77.2 | 38 | 43.9 | 72.3 | 87.5 | 96.1 | 92.7 | 39.9 | 15.4 | 33 | 96.2 | 18.8 | 36.2 |
Price
Value & Pricing
At $419 USD, this kit is a genuinely good deal for beginners. You're getting two lenses that cover everything from ultra-wide landscapes to portrait-friendly 50mm shots. The 50mm f/1.8 alone usually sells for around $125 USD, so the 10-18mm effectively costs you under $300 USD. That's reasonable for a stabilized wide zoom. The CAD price of $755 is less friendly, but that's more about exchange rates than Canon's pricing. For the money, the stabilization and autofocus performance are the real wins here. You're not getting pro-level optics, but you're not paying pro-level prices either.
Read more
Overview
Canon's Portrait & Travel 2 Lens Kit bundles the EF 50mm f/1.8 STM and the EF-S 10-18mm f/4.5-5.6 IS STM for $419 USD. That's two genuinely useful lenses for less than the price of many single zooms. The 50mm prime gives you that f/1.8 aperture for low light and creamy backgrounds, while the 10-18mm covers the wide end for landscapes and tight interiors. On paper, it's a starter kit that actually makes sense.
But our database tells a more nuanced story. The kit's stabilization ranks in the 93rd percentile, which is excellent, and autofocus sits at the 85th percentile thanks to the STM motors. Optical quality, though, lands at the 39th percentile. That's not a disaster, but it's not the sharpness story Canon's marketing wants you to believe. The 50mm is the optical star here. The 10-18mm is a solid wide zoom, but it's an EF-S lens, which means full-frame shooters are out of luck.
Common Questions
Q: Will this kit work on my Canon Rebel SL3?
Yes, both lenses will work on the SL3 or any Canon APS-C DSLR. The EF 50mm f/1.8 STM and EF-S 10-18mm f/4.5-5.6 IS STM both use Canon's standard mounts. Just remember the 1.6x crop factor, so the 50mm behaves like an 80mm and the 10-18mm like a 16-29mm.
Q: Is the 50mm lens in this kit the f/1.2 version?
No, it's the f/1.8 version. The f/1.2L costs roughly ten times as much. The f/1.8 is still great for low light and background blur, but it's not in the same league as the f/1.2L for build quality or bokeh.
Q: Can I use the 10-18mm on a full-frame camera?
No. The EF-S 10-18mm is designed for APS-C sensors only. It won't mount on full-frame Canon bodies like the 5D or 6D series. The 50mm f/1.8, however, is a full-frame EF lens and will work on any Canon DSLR.
Who Should Skip This
Full-frame Canon shooters should look elsewhere, since the 10-18mm is EF-S only and won't mount on bodies like the 5D or 6D. If you're chasing creamy bokeh, the 14th percentile bokeh ranking is a red flag. The 7-blade diaphragm on the 50mm helps, but it's not going to compete with an 85mm f/1.4 or even a 50mm f/1.2. And if you need constant aperture for video work, the 10-18mm's f/4.5-5.6 range will frustrate you. The optical quality at the 39th percentile means pixel peepers and landscape photographers who demand edge-to-edge sharpness should save up for something better.
Verdict
This is a smart buy for Canon APS-C shooters who want a versatile starter kit without spending a fortune. The stabilization and autofocus are genuinely excellent, and the 50mm f/1.8 is a lens you'll keep using even after you upgrade. The 10-18mm is more of a stepping stone, but it's a solid one. The optical quality isn't going to blow anyone away, and the bokeh is mediocre, but at $419 USD for two lenses, the value proposition is strong. If you're on a Rebel or an M-series body with an adapter, this kit makes a lot of sense.
Usage Scores
- Macro27.5
- Overall53.5
- Budget79.8
- Street63.3
- Travel65
- Portrait34.8
- Landscape54.5
- Professional37.8
- Video Cinema48.3
- Wildlife Sports23.9
