Newline -Plus 115"

The Newline STV-11524-PLUS is a 115-inch 4K commercial monitor built for bright boardrooms and 24/7 digital signage. It packs a 750-nit anti-glare display, built-in Android 14, and enterprise-friendly IP control. It's a terrible gaming monitor but a great big-screen workhorse for the right office or campus.

Let's be clear: the performance score here is low because we measure against all displays, including high-refresh gaming monitors. The STV-11524-PLUS sits in the 10th percentile for performance, which sounds brutal, but it's by design. This is a 60Hz panel with a 6.5ms response time. For a 115-inch commercial display, that's perfectly fine. You're not playing Valorant on this thing. You're showing a quarterly earnings graph or a museum exhibit. The motion handling is adequate for video playback and slide transitions, and that's the point.

Where it shines is brightness and color volume. At 750 nits, it's in the 95th percentile for color among commercial displays in our database. That's bright enough to punch through harsh office lighting or a sunlit lobby. The 1.07 billion colors come from 8-bit+FRC, not true 10-bit, but for signage and presentations, the difference is academic. The 7000:1 contrast ratio helps text and graphics look crisp, and the anti-glare coating does its job. Just don't expect the inky blacks of an OLED, this is an LED LCD, and it behaves like one.

The competitors listed in our database are all gaming monitors, which tells you how specialized this Newline is. Stacking it against an LG UltraGear 45GX950A-B or an ASUS ROG Strix XG27UCDMG is like comparing a cargo van to a sports car. Those OLEDs run at high refresh rates with sub-1ms response times, they'll run circles around the Newline in any gaming or fast-motion test. But they're also a fraction of the size and would be useless in a 30-person conference room. The MSI MPG 271QR QD-OLED X50 is similarly gaming-focused, with a 27-inch panel that makes no sense for signage. Even the Dell UltraSharp U4025QW, which is at least a productivity display, is a 40-inch ultrawide built for desk work, not wall-mounted presentations.

If you're cross-shopping, you're probably looking at other large-format commercial displays from Samsung, LG, or Sony's professional lines. Those will have similar brightness and control features. The Newline's edge is the built-in Android 14 OS and the IP/RS-232 control suite, which some competitors lock behind higher-tier models or separate boxes. For a school district or corporate campus standardizing on one platform, that integrated control could tip the scales.

Value is tricky when the price spread is over $5,400. We've seen the STV-11524-PLUS listed from $14,298 up to $19,725 across different vendors. At the lower end, you're getting a massive, bright, connected display with integrated Android and enterprise control features. That's competitive for a 115-inch commercial panel. At the high end, you're creeping into territory where you might start looking at direct-view LED walls or premium projectors, though those come with their own installation headaches. For a plug-and-play 4K canvas that IT can manage remotely, the lower end of that price range feels fair. Just don't pay a premium for gaming features that aren't there.

The Newline STV-11524-PLUS is a massive 115-inch 4K commercial display built for boardrooms, lecture halls, and digital signage, not your living room. With a bright 750-nit LED LCD panel and an ultraslim 1.5mm bezel, it's designed to command attention in well-lit spaces. The built-in Android 14 OS means you can run apps directly on the display without a separate PC, which is handy for pulling up presentations or signage software on the fly. It's a landscape-only, 24/7-rated workhorse that's more about visibility and control than pixel-perfect color grading.

Connectivity is a strong suit here. You get three HDMI 2.0 ports, two USB-C connections, built-in Wi-Fi, Bluetooth, and even IP and RS-232 control for integration into existing AV systems. That control suite is a big deal for IT managers who need to manage fleets of these things remotely. The 7000:1 static contrast ratio is solid for an LCD of this size, and the anti-glare glass helps fight reflections in bright conference rooms. But don't mistake this for a high-refresh gaming monitor, it's a 60Hz panel with a 6.5ms response time, and our scoring reflects that.

If you're searching for a 115-inch commercial monitor under $20,000, the STV-11524-PLUS lands in a niche spot. It's not cheap, with prices we've seen ranging from $14,298 to $19,725 depending on the vendor. But for organizations that need a giant, always-on display with easy remote management, it's a purpose-built tool. Just know that its strengths are in brightness and connectivity, not in raw performance or gaming chops.

Gamers and home theater enthusiasts should look elsewhere, this 60Hz panel with a 6.5ms response time will feel sluggish next to any modern gaming monitor or TV. Creative pros who need true 10-bit color for grading or print work will also be disappointed by the 8-bit+FRC panel. If you need a display for color-critical editing, consider a pro-grade monitor from Eizo or BenQ's SW line. And if you just want a giant screen for movies and games, a large-format OLED TV from LG or Sony will deliver vastly better picture quality and refresh rates for similar or less money.

The Newline STV-11524-PLUS is a specialized tool, and it's excellent at what it's built for. If you need a giant, bright, always-on display for a boardroom, lecture hall, or digital signage wall, and you have an IT team that will actually use the IP control features, this is a strong pick. The Android 14 OS is genuinely useful, and the 750-nit brightness means you won't be closing blinds every time you present.

But if you're a creative professional looking for a color-accurate reference monitor, or a gamer who saw "115-inch 4K" and got excited, walk away. The 60Hz panel and 8-bit+FRC color depth aren't built for that. This is a commercial display through and through. Buy it for the conference room, not the editing bay.