Best Lenses under €500 for video production

Best Pick
14mmf/3.1Micro Four ThirdsISWeather Sealed
Why we recommend this

Its unified focus and aperture gear positions across the XEEN lineup, combined with a long 200-degree focus throw, make it a practical tool for rig-swapping on set. The durable aluminum body, tripod mount, and X-Coating for controlled flares add professional reliability that specs alone don't convey. This lens is best for video shooters needing an affordable, manual-focus wide-angle prime for full-frame Canon EF systems.

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Yongnuo YN 17mm f/1.7 micro-four-thirds

47.3 Video/Cinema Score
17mmf/1.7Micro Four ThirdsWeather Sealed
Why we recommend this ▼

A bright f/1.7 aperture and 17mm wide-angle field of view are packed into a mere 180g body, using 2 aspherical and 2 ED elements with nano multi-layer coating to suppress aberrations. The lens features a weather-sealed metal mount, full-time manual focus override, and an included lens hood for durable, precise control. It suits Micro Four Thirds travel and landscape shooters who need a lightweight, weather-resistant prime for unpredictable conditions.

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40-150mmf/4-5.6Micro Four Thirds
Why we recommend this ▼

The 40-150mm f/4-5.6 offers an 80-300mm equivalent reach in a 190g body, with a Movie & Still Compatible AF system for swift, silent focusing. Its Micro Four Thirds design and budget pricing make it a remarkably portable telephoto option for travel and everyday use. This lens is best for portrait and street photographers on Micro Four Thirds cameras who want a lightweight zoom without spending heavily.

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Best Lenses under €900 for video production

Best Pick
40-150mmf/4Micro Four ThirdsWeather Sealed
Why we recommend this

A constant f/4 aperture across the 40-150mm zoom range (80-300mm equivalent) in a 382g weather-sealed body makes this a compact telephoto for outdoor shooting. The ZERO and Fluorine coatings repel dust and moisture, while the MF clutch allows quick manual focus override. Best for Micro Four Thirds photographers who need a durable, lightweight telephoto zoom for travel and nature photography.

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Best Lenses under €1,500 for video production

Best Pick
75mmf/1.8Micro Four Thirds
Why we recommend this

Its 150mm full-frame equivalent focal length and bright f/1.8 aperture deliver exceptional subject isolation and compression, making it a standout for portraiture on the Micro Four Thirds system. The compact, all-metal build weighs just 305g and incorporates three ED elements with ZERO coating for sharp, high-contrast images free from color fringing. This lens is best for portrait photographers who prioritize a lightweight setup and smooth, cinematic bokeh over image stabilization.

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42mmf/0.95Micro Four ThirdsIS
Why we recommend this ▼

The f/0.95 maximum aperture on this 42mm prime for Micro Four Thirds lets in more light than most lenses, with an 11-element, 8-group design and 10-blade diaphragm for smooth bokeh. Its 572g weight and 0.23m closest focusing distance make it a solid choice for close-up portrait work, though it lacks stabilization and weather sealing. Best for portrait photographers on Micro Four Thirds who want a fast, characterful lens for low-light shots and shallow depth of field.

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Best Lenses under €2,500 for video production

Best Pick
40-150mmf/2.8Micro Four ThirdsWeather Sealed
Why we recommend this

A constant f/2.8 aperture across the 80-300mm equivalent range and weather-sealed, all-metal build deliver professional-grade reliability and consistent light gathering. The Dual VCM autofocus with a manual focus clutch provides fast, precise control, while the ZERO coating suppresses flare for high-contrast results. This lens is best for outdoor event and portrait photographers who need a rugged, fast telephoto zoom without the bulk of full-frame systems.

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7-14mmf/2.8Micro Four ThirdsWeather Sealed
Why we recommend this ▼

A constant f/2.8 aperture across the 7-14mm zoom range and a complex 14-element optical design with ZERO coating deliver sharp, flare-resistant images in a weather-sealed, 534g body. Its fast, silent Movie & Still Compatible autofocus and programmable L-Fn button make it equally adept for smooth video pulls and quick stills adjustments. This lens is best for Micro Four Thirds landscape and travel photographers who need a rugged, bright ultra-wide zoom for challenging outdoor conditions.

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12-100mmf/4Micro Four ThirdsISWeather Sealed
Why we recommend this ▼

A constant f/4 aperture across an 8.3x zoom range paired with Sync IS delivering up to 7.5 stops of compensation makes this lens uniquely versatile. Its IP53-rated weather sealing and robust 561g build ensure reliable performance in harsh conditions without weighing down a kit. This is the ideal single-lens solution for landscape and travel photographers who need uncompromised sharpness from wide-angle to telephoto.

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12mmf/2Micro Four Thirds
Why we recommend this ▼

The bright f/2 maximum aperture and 12mm focal length (24mm equivalent) make this lens a strong choice for dramatic landscapes and low-light street scenes, complemented by a full-metal body and a manual focus snap ring with a distance indicator. Its Movie & Still Compatible autofocus mechanism delivers fast, near-silent performance that benefits both video and stills shooters. This lens is best for architectural and landscape photographers who need a compact, high-speed wide-angle prime for the Micro Four Thirds system.

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Premium Lenses for video production

Best Pick
50-200mmf/2.8Micro Four ThirdsISWeather Sealed
Why we recommend this

A constant f/2.8 aperture across a 100-400mm equivalent range in a 1,075g, IP53 weather-sealed body makes this lens uniquely portable for super-telephoto work. Its 7-stop synchronized 5-axis image stabilization enables sharp handheld shooting at extreme focal lengths, complemented by a 0.5x maximum magnification for close-up detail. This is the ideal lens for wildlife and sports photographers who need a rugged, lightweight setup for all-day outdoor use without a tripod.

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