Best Lenses under €500 for video production

Best Pick
12-24mmf/4Nikon F
Why we recommend this

The constant f/4 aperture across the 12-24mm zoom range, combined with three aspherical and two ED glass elements, delivers consistent exposure and well-controlled distortion for an ultra-wide DX lens. Its Silent Wave Motor provides fast, quiet autofocus with full-time manual override, and the 465g build keeps it portable for a constant-aperture zoom. This lens is best for Nikon DX-format DSLR users shooting landscapes and architecture who need a reliable, rectilinear ultra-wide perspective without the bulk of f/2.8 glass.

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IRIX 30mm f/1.4 Dragonfly

33.1 Video/Cinema Score
30mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

A fast f/1.4 maximum aperture paired with an 11-blade rounded diaphragm and weather-sealed construction delivers smooth, cinematic bokeh with 0.95% distortion across full-frame sensors. The 140-degree focus ring rotation and rear-focus design maintain constant lens length for precise, non-extending manual focus control. This lens suits still-life, macro, and portrait photographers who prioritize rugged build quality and deliberate manual focusing over AF convenience.

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Rokinon Series II 85mm f/1.4

31.7 Video/Cinema Score
85mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

The bright f/1.4 aperture and one hybrid aspherical element deliver sharp subject isolation with controlled chromatic aberrations, making it a strong portrait lens. Its weather-sealed, lightweight 485g build and Ultra Multi-Coating provide practical durability and contrast in varied conditions. This manual focus prime is best for portrait photographers on a budget who prioritize a smooth bokeh quality over autofocus speed.

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Best Lenses under €900 for video production

Best Pick

Sigma 50-100mm f/1.8 DC HSM Art APS-C

72.7 Video/Cinema Score
50-100mmf/1.8Nikon F
Why we recommend this

A constant f/1.8 aperture across the 50-100mm zoom range delivers full-frame equivalent depth of field control on APS-C sensors, paired with 7 ED elements for high clarity. The internal zoom and Hyper Sonic Motor provide fast, quiet autofocus without extending the barrel, maintaining balance on a gimbal. This lens is best for portrait and event photographers who need a fast telephoto zoom but don't require stabilization.

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Great Alternatives

These options also score highly and may better suit your specific needs

28-300mmf/3.5-5.6Nikon FIS
Why we recommend this ▼

The 10.7x zoom range with 19 elements in 14 groups, including 2 ED and 3 aspherical elements, delivers edge-to-edge sharpness on FX and DX bodies. VR II stabilization allows handheld shots up to 4 shutter speeds slower, and the Silent Wave Motor ensures quiet autofocus. Best for travel and landscape photographers who want a single lens for full-frame Nikon DSLRs.

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Samyang 85mm f/1.4

37.8 Video/Cinema Score
85mmf/1.4Nikon FWeather Sealed
Why we recommend this ▼

With a fast f/1.4 maximum aperture, Ultrasonic Dual Linear USM autofocus, Ultra Multi-Coating, and a 9-blade diaphragm, this lens captures sharp portraits with smooth bokeh. Its lightweight 485g build and weather sealing make it a portable choice for travel and on-location shoots. Ideal for Canon EF full-frame portrait photographers needing fast, shallow depth-of-field work without heavy gear.

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Nikon AF-S Micro 60mm f/2.8G ED

34.3 Video/Cinema Score
60mmf/2.8Nikon FIS
Why we recommend this ▼

Delivering true 1:1 reproduction with edge-to-edge sharpness, its optical formula includes one ED and two aspherical elements alongside Nano Crystal Coat to suppress flare and chromatic aberration. The internal focusing design and silent wave motor provide fast, quiet autofocus without a rotating front element, making filter use straightforward. This lens is best for Nikon DSLR shooters who need a precise, lightweight macro lens for detailed close-up work and copy stand reproduction.

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Best Lenses under €1,500 for video production

Best Pick

Sigma 14-24mm f/2.8 DG HSM Art

61.9 Video/Cinema Score
14-24mmf/2.8Nikon FWeather Sealed
Why we recommend this

The constant f/2.8 aperture across the 14-24mm zoom range, combined with three FLD and three aspherical elements, delivers edge-to-edge sharpness and minimal distortion. Its robust, weather-sealed build and built-in lens hood provide a durable, all-in-one design that handles challenging conditions without requiring bulky external filters. This lens is best for architectural and landscape photographers who need a fast, ultra-wide rectilinear zoom with professional-grade optical performance.

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Best Lenses under €2,500 for video production

Best Pick
70-200mmf/2.8Nikon FISWeather Sealed
Why we recommend this

The fluorite and ED elements in this 22-element optical design deliver exceptional sharpness and contrast across the frame, while the 4-stop Vibration Reduction ensures handheld clarity at 200mm. Its constant f/2.8 aperture and Nano Crystal Coat provide consistent subject isolation and flare resistance, paired with a robust, weather-sealed build that includes a detachable tripod foot. This lens is best for portrait and event photographers who need reliable autofocus and edge-to-edge sharpness in challenging light.

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No Lenses found in this category. See our top picks under €2,500